You see celebrities of various stripes telling you about the latest book they’ve written on television or hear them on radio or see the advertisements as you bounce around the internet. Generally I think to myself, well I’m sure that’ll be interesting to someone and decide to leave it alone. For instance, this happened just the other night when Billy Bob Thornton was on The Late Late Show with Craig Ferguson shilling for his new book. This conversely was not the case when I saw Rob Lowe talking about his own memoir Stories I Only Tell My Friends. For a reason I have not yet been able to identify this time I thought, hey that looks intriguing.
And honestly, it was.
Stories I Only Tell My Friends covers Lowe’s life from its beginnings in Virginia and Ohio to about the time he leaves The West Wing in 2003. Admittedly there’s a throw away paragraph outlining how he feels about being able to do dramatic and comedic work simultaneously in the post West Wing years (Brothers & Sisters and Parks and Rec respectively). While Lowe’s is an entertaining tale with the usual missteps I think the thing that caught me perhaps the most off guard was how much the public figure of ‘Rob Lowe the movie star’ did not line up with Rob Lowe saw himself, particularly in the 1980s.
The beginning of the autobiography tends to bounce around a little as far as chronology, generally hitting the memories that stand out to Rob about how he grew into the person he is and the memories and early experiences of an actor. It had not occurred to me that someone could feel so compelled to act at such a young age as Lowe did. I guess I always thought child actors enjoyed what they did because in some ways it’s the best game of make-believe ever, but I simply didn’t assign the idea of a professional drive to someone so young. Maybe I was wrong (completely possible) or maybe Lowe is remembering the way he wants. Either can be true, and either can be valid.
As far as tone this is a very open memoir in most ways. Lowe published this book after the death of his mother and he is very frank about his relationship with her and her ongoing health issues. He is less frank about his relationships with his brothers, but as they are alive and well and generally not part of his acting career it makes sense that they be excused the spotlight. Lowe talks honestly about how he felt during the ‘Brat Pack’ article’s publication and being perhaps the first celebrity with a sex tape and speaks openly about what led to his alcoholism and subsequent sobriety. But perhaps the most interesting thread woven throughout the memoir is that of the experiences along the way – the people, the work, the politics both Washington D.C. and California-based that inform who Rob Lowe ultimately is.
Much of the book is a trip down the IMDb page as he remembers it. The great part of this for me was the introduction to movies or projects I had missed (I was too young to see most of the movies Lowe starred in during his early career as they were released) as well as realizing that Lowe’s tone is a nice cross between two of my favorite characters of his – Sam Seaborn and Robert McCallister. This one’s worth a read if you are a Lowe fan generally speaking or a consumer of pop culture autobiographies.