Jane Austen’s Northanger Abbey (CBR8 #72)

I’ve been pretty open about the idea that comics are still a reading stumbling block for me. My friend Alison loves comics so whenever she comes across something she thinks might do the trick for me, she makes sure to get it into my hands. I sometimes decline her suggestions due to time limitations, but I always try to see what she’s offering. A couple weeks ago she handed me Jane Austen’s Northanger Abbey in comic form, and there was no way I wasn’t going to give this one a go – Jane Austen is my jam.

I struggled a bit with Northanger Abbey when I read it for the first time a few years ago, and its one of very few books I have read in my CBR years that I did not review. I struggled to sink into the book on that round, but I think its because I read the academic introduction which preceded it. This time I let myself just float along with the loving adaption of Jane Austen’s most humorous work.

Matching Austen’s satire of Gothic Literature, we follow Catherine Morland’s quest to be the leading lady of her own great romance. Catherine is determined to find the correlations between real life and  the Gothic novels she finds so enchanting. Austen upturns Catherine’s expectations at each turn, and Nancy Butler and illustrator Janet Lee capture the original while making it their own as well. While not my favorite reading experience, I can suggest this to anyone looking for a quick revisit of Austen.

This book was read and reviewed as part of the charitable Cannonball Read. 

Singapore Noir (CBR8 #71)

Read Harder wanted me to read a book by an author from Southeast Asia. A little google sleuthing turned up the book Singapore Noir edited by Cheryl Lu-Lien Tan, a native of Singapore, who in her introduction to the collection lays out the Singapore the world is familiar with as well as the Singapore explored in this work. What better way to complete the task than to read a collection of stories by authors hailing from, or simply familiar with, the area in question? And some are in Singlish (well, partly) which is another boon for me since I like works in dialect.

First, if you like noir, then this book is right up your alley. It’s actually the fortieth or so collection put out by Akashic Books which has apparently, unbeknownst to me, been putting out a series of original noir anthologies since 2004. In case you are wondering the noir anthologies are all geographically organize
d, thus Singapore Noir.

What did I learn about myself as a reader during this adventure? That I will consume noir quickly if given the opportunity, but that I should probably limit myself to one or two stories at a time since the genre has very specific rhythms which get very repetitive, very quickly since in all the works the protagonist is either a victim, a suspect, or a perpetrator. Add in the fact that that protagonist is usually self-destructive and is dealing with the legal, political or other system that is corrupt is, leading to lose-lose situation.

Highlights for me:

Last Time by Colin Goh, which follows a lawyer attempting to free the arm candy of a mobster. But is that really what’s happening?

Smile, Singapore by Colin Cheong, we spend the night in an interrogation room with a man who has committed a crime, but feels little remorse for the position he was put in.

Kena Sai by S.J. Rozan follows the life of an expatriate couple from beginning to end.

Honestly, this book is probably a 3.5 overall, since there were one or two I couldn’t get myself to care about enough to finish them, I have rounded down.

This book was read and reviewed as part of the charitable Cannonball Read. 

Filmish: A Graphic Journey through Film (CBR8 #70)

I’m a relatively omnivorous reader. I read a little bit of almost everything (high fantasy, horror,  and poetry seem to be my blind spots). A quick survey of my non-fiction shows that I have an interest in movies, film history, and Classic Hollywood. My podcast listening backs that up as well, being as I follow You Must Remember This and Fighting in the War Room. Through one of my  favorite podcast listens, A Storm of Spoilers, I was introduced to Filmish and immediately put it on my to read, even though I have a spotty history with graphic nonfiction, graphic novels, and comics.

I am pleased to report that this book was awesome. Neil was right.

In Filmish, Ross’s cartoon alter ego serves as tour guide for us through cinematic history (a little like The Great Movie ride at Disney), and he introduces us to some of the stranger and more intriguing concepts at work in the movies. In short, we get the history of film through seven topics: The Eye; The Body; Sets & Architecture; Time; Voice & Language; Power & Ideology; and Technology & Technophobia. Each chapter attacks its concept chronologically, using different movies to fully explore an introduction to film theory. Ross uses many movies which are familiar to the non-connoisseur, and peppers in plenty of lesser known, but influential works to add to your to watch list. This is definitely Film Theory 101, but with the great artwork, the full, but not overstuffed pages, and the detailed end notes which suggest further reading and watching, this is truly a great resource for those looking to be entertained, and a learn a little something along the way.

This book was read and reviewed as part of the charitable Cannonball Read. 

Gulp! Adventures on the Alimentary Canal (CBR8 #69)

I love Mary Roach. I will read whatever she writes, regardless of whether or not the subject area really sounds interesting to me. I was admittedly indifferent to this one, generally speaking, before I picked it up. The Read Harder challenge said to read a non-fiction book about science, and I knew Mary Roach was my gal for this.

I enjoy Mary Roach’s smorgasbord approach to non-fiction writing. Each idea is linked to the next, but if you look at them from the macro you wouldn’t necessarily be able to predict how. Roach’s tone is respectful while simultaneously playful, and brightens up some perhaps less than pleasant topics.

In her fifth book Roach tackles something we all share: the alimentary canal. Gulp takes us inside the body, a tour from mouth to rectum with Roach answering the random questions this passageway provides. The questions inspired by our insides may be taboo, (as were the cadavers in Stiff) and a bit surreal (zero gravity pooping anyone? See Packing for Mars), but Roach has found her niche as the purveyor of answers for the taboo and surreal. Thank goodness.

Read this book if you want to know why is crunchy food so appealing, or why is it so hard to find names for flavors and smells. What about the stomach digesting itself? How much can you eat before your stomach bursts? Can constipation kill you? Did it kill Elvis?  (You know you want the answers to all of these questions.)

Why the three-star rating if I obviously enjoy Roach so much? This book, believe it or not, suffers from a lack of images. We can’t see our alimentary canal, and a lot of the procedures that come up in Roach’s research were a bit difficult for me to follow along. I was also suffering through a bout of the stomach bug and some small food poisoning, so this may not have been a timely book for me. But it actually made me feel better to burp along with Roach’s narrative.

This book was read and reviewed as part of the charitable Cannonball Read. 

Fun with Kirk and Spock (CBR8 #68)

This book would probably make a nice gift for the Trekkie in your life, so if you are the kind of person who starts their holiday shopping already and are in need of fun gift to add to the pile, then go on ahead and get some of these for yourself.  I am not a huge Star Trek fan – a feel like that is a needed reminder of why I’m ranking this three stars – but I did genuinely enjoy my reading experience but it wasn’t at a proselytizing level. For that, please see crystalclear’s awesome review.  I had a couple of out-loud belly-laugh moments, but it was mostly just smiles of thoughts of oh, that’s clever, and general appreciation of the familiarity.

This is a book with a joke in its heart and a loving knowledge of all the camp of the original Star Trek. A parody of the Fun with Dick and Jane children’s books of the 1950s, Robb Pearlman pairs it with a pop culture classic of the 1960s and away we go on an adventure where we learn important things, such as not getting attached to the red shirts since they won’t be beamed back up (but we should remember them fondly) and that Khan is not a morning person (it explains so much!).

The humor here is simultaneously on the nose and subtle, but I feel that the art deserves a shout-out as Pearlman really captures the actors who originated these characters and it adds a lovely warm layer of nostalgia to the experience.

Recommended for the children’s book/Star Trek lover in your life.

Read and reviewed as part of the charitable Cannonball Read. 

Born Standing Up (CBR8 #67)

I wasn’t planning on listening to this book right now, but then a sale happened and here we are. This book was on my to read list starting years ago, when I put together my Goodreads page at the same time as signing up for my first Cannonball Read (that would be number 4). I love listening to people tell me about their lives, whether it’s a friend or acquaintance on the sofa across from me, or if its someone’s memoir or autobiography.

Steve Martin didn’t disappoint. I can’t say that I’m in any way a huge Martin fan. I remember being aware of him always, by the time my active memory kicks in he was already working in movies. I’ve seen/heard at least portions of his most famous standup routines, but I don’t know that it ever occurred to me to realize that he up and stopped performing that way and embarked on other creative pursuits, let alone why he would have done such.

In this work Martin chronicles his life from birth until he walks away from standup comedy in 1981. This is not a laugh-out-loud book, but there are funny bits in it, but they are almost all about the comedy inherent in the journey he was taking from working at Knott’s Berry Farm and Disneyland, through being opening acts, to headlining on his own. Martin chronicles the creative life, and his outlet for his immense intellect and creativity changed in the course of the book, and eventually out of standup comedy and into movies, writing, and other pursuits.

In this crisp book (only four hours on audio including banjo interludes written and performed by Martin) and while as usual I feel like I missed something not having the pictures the hard copy includes, there was something gained, a large something gained, by listening to Martin tell me in his own words about his life, and the work he did in researching himself and his experiences in order to bring it to life for us.

This book was read and reviewed as part of the charitable Cannonball Read.