Harry Potter and the Deathly Hallows (CBR9 #66)

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We have reached the end of the road. We have journeyed through truth, learned about the past, had boulders change our paths forever, embraced the drama of the teenage years, we’ve experienced losses and found ways to grow from them, and seen love as an action spurs our heroes on their paths. Now, we watch it all come together as the forces of good battle to resist the forces of fear and hate.

Before even embarking on this review, I have written over 11,000 words about the world of Harry Potter. Why? Cannonball Read’s very own emmalita has the answer: “seems like a good time to read a subversive series about the importance of personal choices, standing up to bullies, standing up to your friends when they are wrong, and treating everyone with compassion and kindness.”

Not every book, or every series, is for every reader. There is no guarantee that someone would pull exactly the same meaning, or so much meaning, from the works of J. K. Rowling, as I tend to do.  Here at the end it is time to look back at the themes and narratives that have brought me here and see how they all come together to leave us on a note of sorrow and loss, but also hope and triumph.

Discovering Your Identity

In the beginning, we found Harry Potter as a boy who did not have much to define himself, but by book seven he is a man who knows very well who and what he is, but is still learning his value to others. Voldemort, the Death Eaters, and their allies are making swift gains particularly at the Ministry (as that organization refused to prepare itself for the truth of their ascendance), and it is time for Harry to leave Privet Drive for the last time. This is no easy task and requires backroom planning by Dumbledore, for Snape to continue working both sides against each other, and six Harry Potter impersonators to disguise his true location and destination.

Harry has transformed from the Boy Who Lived to the Chosen One, and by the end of the book he will bring everything together to be a hero who inspires other heroes. He never truly vanquishes the small voice in his head questioning if he’s made the right decisions along the way. He knows what he must do, and the path he has chosen, but he is always reticent to let others step in the way of danger that he has laid out.

But moving beyond the specific details of Harry’s character arc, this is a novel about generational divides, a statement that the old must pass that the new might inherit the earth, because whatever current generation is on top can’t save the world. All things change and evolve. The world can only be saved and shaped by those who will inherit it. The last image is of the next generation who will take over once Harry and his friends are done and dusted.

Found Family

The second act of this book, the much maligned second act of this book, is the story of one of the strongest friendships you are likely to see in contemporary YA literature. I could write soliloquys on the Ballad of Harry, Ron, and Hermione, in fact I may be accused of already doing so. In this book, if not before, they are functioning as a tight-knit family unit. But, we are also once again reminded of the deep, strong ties Harry has developed over the preceding six years.  It is unthinkable that he wouldn’t be at Bill and Fleur’s wedding, it is their home that he and the rest escape to and recover in following the events at Malfoy Manor. Separate from his feelings about Ginny, Harry is a Weasley and in case it was still up for debate Rowling makes it clear at the very beginning of the book.

I love Molly Weasley. She has always, quietly, diligently, and without expectation made Harry part of her family. In Order of the Phoenix as the boggart in Grimmauld Place Harry’s is one of the bodies she sees in the lineup of her dead family.  For his seventeenth birthday Molly gifts Harry her brother’s watch, and it will connect Harry to his found family throughout the events of the novel.

But Harry isn’t Molly’s only extra kid. At the end of the Battle of Hogwarts as all hell is breaking loose in the Great Hall, Molly bests Bellatrix Lestrange in one of the most discussed moments in the book. Much is made of Molly’s pronouncement of “not my daughter!” as she flies across the room to take on Bellatrix, but it could just as easily been “not my daughters” as the trio of witches taking on Bellatrix are Hermione, Luna, and Ginny. And it is Harry who throws up the shield charm to protect Molly, exposing himself to Voldemort and setting up the final battle, but he could not let his surrogate mother figure go unprotected.

Standing Up To Be Counted

For all of our characters this story is how they struggle to defeat a fully empowered adult wizard by becoming fully empowered and independent adults.

Neville Longbottom has grown by leaps and bounds throughout these seven books. While his confidence and skill have grown, the true measure of his character has been with him from the very beginning – you must stand up for what is right. He calls out his friends in Sorcerer’s Stone and by Deathly Hallows he is leading the resistance in Hogwarts and paying a heavy price for it (but he’s just living up to his Longbottom heritage).

Ginny will not be left to the side. She was instrumental in the eventual discovery of the first horcrux in The Chamber of Secrets (before we even knew what it was), and she marches through the subsequent five books demonstrating her skills and tenacity. She will fight for those she loves, and she will be brave enough to face down her enemies.

There is another character who quietly continues to work on the side of Dumbledore. At then end of Half-Blood Prince the reader is left hating Snape, and there is little through most of Deathly Hallows to bring us back in. There is however the flashback in the pensieve showing us the true intentions of Snape’s actions over the past 20 years. I remain on the side that it does not erase his actions, but it places them in an understandable lane. It is the final example of Rowling showing us the gray that lives within all of us.

I am light on speaking about Hermione in this review, not because she isn’t incredibly valuable, its just because I’ve covered it all before. Hermione does not need me to stand up for her the same way she doesn’t need Ron or Harry to.

There is a scene, late in the book during the Battle of Hogwarts when Harry, Ron, and Hermione are attempting to fight off imminent Dementors. They are trying and failing to cast their patronuses to defeat them, to protect themselves with happy memories filled with love. They are spent, and things are looking down until friends cast bright powerful patronuses to push back the dementors. As the line of people who have supported Harry grows and powerfully push back the coming darkness through the power of love and happy memories I cried. It is everything to do with standing up against the coming storm, and standing up for those you love and respect.

The Song of Ronald Weasley

Ron also becomes the full embodiment of his family’s ethos, a beacon of progress and humanity. Ron continues to be concerned about those he cares about, it is Ron who thinks of the House Elves in the kitchens of Hogwarts and reminds everyone that they need to be evacuated with the underage students. With that, Ron shakes off one of his largest prejudices completely, taking away any part of him that could be used to support Voldemort. It is also the linchpin that earns him an enthusiastic kiss from Hermione. I may have cheered.

Ron has skills, memory, and ability. He is the one who remembers to go get the basilisk fang from the Chamber of Secrets. But that doesn’t mean he is without failure. Ron, in his typical way, loses sight of the end goal and leaves Hermione and Harry alone in the forest. Nevertheless, the joy of Ron is that once he makes the terrible, prattish decision, he immediately regrets it. The measure of character is in recovery from terrible choices and how we pick ourselves back up, and Ron spends seven books showing us how that is done. Dumbledore knew this about him, and provided a way back. Rowling also uses this time to her advantage, giving the reader a glimpse at the world outside the ever-traveling tent. We are afforded a look at what the larger Resistance movement is doing while our trio is working towards their assassination mission.

Show Your Work

The entire journey of Harry, Ron, and Hermione is The Deathly Hallows can be seen as one long arc of pursuing knowledge, and asking for help, in order to successfully solve the problems of our lives. In their case, it is often about defeating Death Eaters, but it is also in learning how to navigate the adult world which is not nearly as steady and secure as one would hope. If the world is full of darkness, than knowledge is your best armor and strongest light against it. Hermione will carry a full library with them, Harry will craft cunning plots, Ron will stay on the alert and find the resistance radio show, and together they will ask for and accept help as they can.

It is never so clear as when Harry shouts into the shard of Sirius’s mirror and unbeknownst to him Aberforth hears him and sends Dobby to rescue them from Malfoy Manor. Harry has finally come to a place where he cannot save himself or his friends, and he reaches out desperately. Dobby is able to evacuate those imprisoned in the cellar (all important characters for the final denouement of the story) and ultimately puts his life on the line for his friends. The grief, pure and simple and stunningly apparent on Harry as he digs the grave for Dobby (who died a free elf) stirs something deep inside the reader. Harry feels he must do the work himself, so magic, so that proper respect can be shown. Dobby’s sacrifice requires no less of a man of Harry’s stature.

Neville and Dumbledore’s Army are another shining example of this spirit. Neville stays at Hogwarts, and continues the resistance from inside the walls, making himself a constant thorn in the side of Snape and the Death Eaters on staff. He also protects and cares for those who would stand beside him, and by having truly learned the lessons of the Room of Requirement he is able to furnish all the needs of his compatriots, including access to Hogsmeade via Aberforth.

And Aberforth Dumbledore is a quiet, reluctant hero himself. He feeds and cares for the Army, as well as serving as transit depot for members of the Order of the Phoenix and the Resistance. He also provides on last important reality check for Harry, Ron, and Hermione before the Battle of Hogwarts truly gets underway: does Harry trust in what he has been told by his brother Albus? Aberforth argues that Harry owes no one anything, and should run. He also points out, not incorrectly, that while our Professor Dumbledore did mostly prepare Harry for what is coming, he also in essence raised him like a lamb for slaughter. Aberforth cannot abide this, and attempts to use the full truth off Albus, and Grindelwald, and his sister Ariana to make sure Harry understands what is truly happening. He is never satisfied, but he finally does support Harry and sends Ariana’s portrait to go get Neville.

Remus Lupin, Depression, and Anxiety

What I did not know, but I could feel creeping in, was that part of the pull of reading Harry Potter again was that my brain chemistry was betraying me once more. My previous worst battle with depression came during the first time I read The Prisoner of Azkaban and this current round has been nearly as difficult. Add to that finally getting some clarity about the Anxiety I’ve been living with my entire adult life, and it’s been a hell of a year. However, I think this finally explains to me my preference for and love of Remus Lupin.

I am on record as praising Lupin as the best Defense Against the Dark Arts teacher to grace Hogwarts during the series, and I stand by it. He educates kindly. It is such a small, but unfortunately rare thing, and I think it gets missed in the larger sweeping epic of the books. But this is not a perfect man, in many ways Lupin grew up too fast and never properly left his teenage self behind. Lupin, like so many of our other characters, is learning to embrace his adulthood and for him it is in the face of crippling depression, anxiety, and otherness.

It comes to a head in the Deathly Hallows as Lupin attempts to join our trio as they depart Grimmauld Place to begin their quest. Lupin is afraid that he has ruined the lives of Tonks and their unborn child, and is ready to flee and possibly sacrifice himself in the service of Harry and his mission in place of facing the future he has made. He is still unable to accept the love his is offered. Harry ages dramatically in that scene, moving past his defiant youth posturing and bringing his emotional truth to bear in a stunningly adult exchange with Lupin. Hermione and Ron are shocked, this is an adult, their teacher, and Harry is speaking to him in such a manner. But it is necessary, and it is true.  Remus Lupin, like all of us, must grow into the truth of him, and forgive himself for his past errors. He must also learn that refusing love is the worst thing we can do to ourselves, let alone those who love us. Lupin comes around, and is back to his truest self when he arrives to fight at the Battle of Hogwarts. His and Tonks’ deaths are some of the hardest felt in the series (Fred is right there with them), and they are so because of what we have lived with them over six books. These are good, loyal, and moral characters who made the active choice to fight for good and put their lives on the line in the pursuit of defeating evil in the world.

Don’t Be Afraid to Try Something New

This one is more for the author than her characters, but it is superb nonetheless. In her final book Rowling, because she is truly an insanely ambitious, amazing writer throws out all previous conceptions of the structure of a Harry Potter novel. She had played with form and structure along the way, but in her closing act she isn’t afraid to do something she has not done before; this is simply the act of a woman in full possession of her courage. The first act, from page one, shifts the paradigm in a way that couldn’t truly be anticipated and still catches me off guard now a decade later. The entire middle of the book is essentially a two and three handed road trip, taking us to places we have never seen before through the eyes of our characters. It also dares to slow down the action, to marinate in the struggle, to let the reader and the characters feel a smidge of boredom.  For goodness sakes, Hogwarts doesn’t show up until the third act!

AND THEN Rowling introduces a completely new branch of the mythology around which the whole climax of the novel pivots. It would be easy to forget that Rowling saved the mythology of the Three Brothers for this final installment because it fits so seamlessly into the world she painstakingly and brilliantly created.  It is the sort of thing that probably shouldn’t work. We should be annoyed at the last minute deus ex Hallows but instead we see the threads that Rowling has been laying in all along, and frankly, she pulls it off with finesse and grace because while the final piece of the puzzle is delivered in the tail end of the series Rowling has been deliberately building to this point from the beginning, and double downed towards it based on the themes at play in Goblet of Fire and Order of the Phoenix. But that’s still not all: she too shows a deft hand in a chapter that’s a taut thriller in Malfoy Manor. It is a peak into the prowess she has to create tension and suspense which will come to delightful fruition in the Cormoran Strike series a few years later.

And where does that leave us at the end? It leaves us with a final rumination on choice and love. Every single person chooses their sides and their actions throughout the story. Everything reverberates down the line. The story is simultaneously massive and epic and yet impossibly small and understated. There are colossal moments flying past that mean more because they are rooted in the personal. We are watching the myth of the boy who lived, who inspired a nation, who became the rallying point make the choice to act in love for his friends and compatriots, for those he considers family, so that they may live. Following all of that, he makes the choice to live. He chooses life, and he chooses to imagine a future that he is in. We should all do the same.

This completes my reread of the Harry Potter series in the 20th anniversary year of the publication of The Sorcerer’s Stone. It has meant a great deal to me.

This book (and accompanying series) was read and reviewed (at length) as part of the charitable Cannonball Read where we read what we want, review it how we see fit (within a few guidelines), and raise money in the name of a fallen friend for the American Cancer Society. Registration for our 10th year will be coming up soon, and you can always drop in whenever you like.

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The Silkworm (CBR8 #3)

This one is a boon for me, a book I was intending to read anyway fulfills a Read Harder challenge as well. Task 9 was to listen to an audiobook which has won an Audie Award. The Silkworm won the 2015 Audie for Mystery. I believe Robert Glenister absolutely earned his prize, but he was aided by the literary prowess of Rowling as Galbraith.

The Silkworm is the second book in the Cormoran Strike series. Cormoran, a hero and disabled veteran in Afghanistan who was once in the Special Investigative Division and is now a Private Investigator of some repute following the events of the first book in the series, The Cuckoo’s Calling,  takes on the case of the missing author Owen Quine. But things quickly escalate as at first, Mrs. Quine just thinks her husband has gone off by himself for a few days, which is not out of character. But as Strike investigates, he discovers that there is more to Quine’s disappearance. Quine had just turned in a manuscript featuring toxic pen-portraits of almost everyone he knows and if the novel were to be published, it would ruin lives. When Quine is found brutally murdered under bizarre circumstances, Cormoran and his partner Robin must race against time to understand the motivation of a ruthless killer, and free an innocent person from jail.

The thought that kept occurring to me while listening to this story is that I’m continually surprised with how much story Rowling has to tell. Most authors would have wrapped things up in their narrative much earlier in the plotting. And, I wouldn’t be made at them for doing so. But much like her other works Rowling builds a world and then only slowly unpacks the details. There are layers upon layers of detail both of our two main characters and their personal lives, but also in the various characters who make up the cast of characters in this murder mystery. There are easily three stories taking place at the same time (which helps explain the 17 and a half hour listening time) but Rowling has them balanced near perfectly.

So, why only four stars? I don’t know. While this book was certainly mastercrafted, and I am even more invested than I was with The Cuckoo’s Calling, I just don’t feel it was perfect. Maybe Career of Evil will be the book to earn five stars from me in this series, The Silkworm earned a full star higher than its predecessor.

This book was read and reviewed as part of the charitable Cannonball Read.

The Cuckoo’s Calling (CBR7 #64)

I had every intention of reviewing The Cuckoo’s Calling as if I didn’t know that it was written by J.K. Rowling. But, I can’t. I do know, and more than that the book’s true authorship shows on the page. The same things that made me love Rowling’s writing in the Harry Potter series are on display here, as are some of her trademark faults. But first, let’s talk about Cormoran Strike.

The Cuckoo’s Calling opens with the suicide of model Lula Landry. Or is it? Following the standard police procedures her brother John Bristow hires private investigator Cormoran Strike because he doesn’t believe it was a suicide and wants his sister’s killer found. Cormoran’s life is a mess. He is up to his eyeballs in debt, his prosthetic leg is giving him trouble, his fiancée just kicked him out, and he can’t quite figure out how he’s going to pay his new temporary secretary, Robin. For her part, things are looking up for Robin – she just got engaged, she’s living with her fiancé, and is actively on the job hunt while working temp positions to help pay the bills. Neither one is anticipating that they will be the right pair of people to solve the mystery of the end of Lula Landry’s life.

I’m going to stay spoiler free, but the conclusion to the mystery was good, if slightly predictable. What Rowling, as Galbraith, did well was what you would expect her to: the world building. I felt intimately familiar with the neighborhood of Cormoran’s office, the pubs he spent his time in, the various places he and Robin went to and the people they interacted with. It all came alive on the page. And, the mystery was relatively well plotted and the clues arrived in a satisfying pace… eventually. Because here was the drawback for me – the book was too long and there were too many extra details and alleyways. Yes, some of this is needed to keep the mystery alive, but there were time where as a reader I was sure that I was back with Ron, Harry, and Hermione in the tent on the never ending camping trip. I skimmed large chunks of Part 1 of this, and the entire first chapter in Part 2 before things started to pick up. For that reason, I am rounding this book’s rating down to a 3 star from 3.5. I am however looking forward to picking up The Silkworm and spending more time with Cormoran and Robin.

This book was read and reviewed as part of the charitable Cannonball Read.

Harry Potter and the Chamber of Secrets (CBR9 #21)

Friends, I finally remembered what initially began the itch to reread Harry Potter. Cannonball Read’s very own narfna, along with some friends, did a Medicinal Re-Read and I remember following along (thanks, Goodreads)! It’s been since 2013! Okay, as you were, let’s get to the actual reviewing.

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I have always thought book four, Goblet of Fire was my least favorite Potter, and that may still be true for the book versions (we’ll have to see when I get there in a few weeks), but I was resoundingly underwhelmed this go-round with The Chamber of Secrets and the movie left much to be desired.

Chamber of Secrets follows the same basic trajectory of its predecessor. First, Harry has trouble with the Dursleys, then he gets to school with some trouble (much bigger trouble this time), something strange is happening at Hogwarts (blood on the walls and petrified people and ghosts), Harry along with Ron and Hermione are in a unique position to solve the strange happening, Quidditch, House Cup.

Tada!

This is not the book’s weakness, really. It is how these pieces come together and how Rowling uses Ginny Weasley as a blank slate that bothered me. I forgot how little of her own character Ginny gets in these first two books and how very little in this book considering she has such a major role in the work of the big bad. I am looking forward to badass Ginny who gets here in later books.

The Chamber of Secrets, for all of my vague disgruntledness, is a story about abilities versus choices, which Dumbledore makes clear in the end. This is an important lesson for all of us. I think the movie adaptation misses the point (and I am glad that we are done with Christopher Columbus adaptations after this) by focusing on the violence of the basilisk. Book Harry is more concerned with the possibility that he should have been Slytherin, and that he could go bad. We are with him through these mental gymnastics and there are few among us who haven’t looked back and thought did I make the wrong choice? Did I use my influence (asking the sorting hat to make us Gryffindor) in the wrong way? Is it all doomed to come apart? Harry is nervous, and scared, when Ron points out that it’s not good even in the wizarding world to hear voices (which is a line that the movies gave to Hermione… just grrr. Ron deserves his moments of ability.)

However, layered onto that is a moral lesson in how we interact with others. I prefer the book’s version of the Weasley/ Malfoy feud, since not only is more fleshed out but it informs the larger story in a more concrete way. While the diary plot plays out in the movie as it does in the book, we get much less of the tension between these two wizarding families, and that is a shame. Rowling is setting up her larger theme with them; on one side, we have the Weasleys who are an open, loving, and inquisitive bunch. Highly loyal and believe in fairness. On the other side are the Malfoys, who are not those things.   As this is a children’s book, Rowling takes the themes that she would explore in any book (and certainly does later in her other adult novels) and breaks them into pieces her younger readers can understand.

In order to do that, she introduces the ways these characters treat people who are not exactly like them. Draco Malfoy’s use of the Mudblood epithet and Ron Weasley’s reaction to it, so much stronger in the book, are perhaps the linchpin between these two worldviews. It also informs the danger of the Chamber of Secrets and the Heir of Slytherin, and shows its readers that every little bit of prejudice can support a larger evil.  This is not to say that Rowling makes the Weasleys perfect. Fred and George join in on the teasing of Harry about being the Heir of Slytherin even though it hurts him, and could support others views of him as a possible suspect. Don’t get me wrong, I love the twins, and was very sad to see so much of their arc hit the cutting room floor in the adaptation, but it is another important lesson to the reader: even those we trust and love the most can hurt and betray us and if that is you, it is important to make it right and apologize.

Once again knowledge, and asking for help when you need it, are crucial to solving the great dilemma. I was struck by the way Gilderoy Lockhart is framed as a know nothing, and how he is the weakest of the wizards present because he does not invest in actually knowing what to do. Through these methods Rowling creates the third of our baddies, in addition to Tom Riddle and Lucius Malfoy. When I read this book the first time I was finishing up a grueling program, and headed off to college. I was affected then as I am now that knowledge can be your best armor against the forces of darkness.

This book is full of future world building, from Hagrid’s trip to Azkaban (sob!) and the introduction of Cornelius Fudge. The work Rowling put in shows. I’ll be embarking on The Prisoner of Azkaban shortly.

“But why’s she got to go to the library?”
“Because that’s what Hermione does,” said Ron, shrugging. “When in doubt, go to the library.”

This book was read and reviewed as part of the charitable Cannonball Read.