The Guernsey Literary and Potato Peel Pie Society (CBR9 #30)

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I have had this book on my to read list since CBR5 in 2013. This year I decided as part of my overall Cannonball goal of 78 books, that I was also going to work my way through my audiobook and owned book backlog. A little. With that goal in mind I set up a monthly goal list, with a book or two I already own, a book or two I have in audio form in Audible, and then I pick a couple more to take out from the library.

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In making up April’s goals, I came across The Guernsey Literary and Potato Peel Pie Society in my Audible account and put it on the list. I promptly pushed it off the list to May and here we are. The fun thing about putting a book on your to read list five years ago and purchasing it two years ago means you often go into it completely forgetting why you added it in the first place. I mention this to say that I went in with zero expectations of what this book would be like, or what its format was.

The Guernsey Literary and Potato Peel Pie Society is an epistolary novel, made up of letters, telegrams, and notes created by the characters inside its pages. I am generally unsure about this style, although I’ve quite enjoyed Sorcery & Cecelia, Where’d You Go, Bernadette, and Attachments (yes, that one counts). Which must have been why I decided to try it in audio with a full cast, since that approach has worked for me in the past. It worked this time. I will never know if it was the great narration or simply the beautiful language that pulled me in, but both are worth your time.

The Guernsey Literary and Potato Peel Pie Society is structured around Juliet Ashton, an author who survived the Blitz in London, and her various relationships with old friends and new. The new friends are all on the isle of Guernsey, where one of her books ends up. Its new owner, Dawsey Adams, reaches out to Juliet for help in tracking down more books by the same author and the plot is off to a running start.

Cannonball Read’s own J Coppercorn mentioned to me on Twitter that this one reminded her in feeling to Anne of Green Gables, and I cannot disagree. It has the same unfolding feel of life on a country island. I also mentioned its similarities to Sorcery & Cecelia, but I’m leaning more towards Tall Pine Polka now that I’m done. In her only book, Mary Ann Shaffer balances between the realities of loss and suffering the island of Guernsey suffered during occupation in World War II, and the ramifications for her characters, but she also layers in the more lighthearted and humorous. That is one of the qualities I most appreciate about Lorna Landvik’s book.

Finished by her niece Annie Barrows after she passed, Mary Ann Shaffer is also working through what reading means to people in this book. So many of the members of the Literary Society were not readers before the alibi became a truth, that we as the reader (and likely word lover) get to experience the discovery of the solace, the enrichment, and the joy of books with these characters.

And for me, it doesn’t hurt a bit that there’s a little love story woven in as well. Get in now if you haven’t already, its currently being filmed and a movie version will hit theatres next year.

This book was read and reviewed as part of the charitable Cannonball Read. 

Seduce Me at Sunrise and Tempt Me at Twilight (CBR9 #28 & 29)

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I was told, repeatedly, not to read Seduce Me at Sunrise, otherwise known as the Win and Merripen book. I swear I was listening, but then someone mentioned that there were several Amelia and Cam scenes in the book worth seeking out. So… I checked it out along with the book I meant to read, Tempt Me at Twilight, and got to skimming.

More of the book was okay then I feared initially, but it is still only a two star/okay book, and that’s not great for a Romance. Usually the happy feelings push me to rate these about a half star higher than I would more traditional, non-genre fiction. What can I say, I’m not perfect and my emotions can and do get the better of me.

I am glad however that I got these books from the library at the same time, and didn’t do my usual habit of spreading out the series to savor it. These two books occur in rapid succession in the series’ timeline, and I have a feeling book 4, Married by Morning, is also set immediately after (I’ve requested it and book 5 from the library to arrive sometime late in May or early in June – don’t worry). This allowed me to sink into the family dynamic that Kleypas is building. I missed this same experience with Julia Quinn’s Bridgerton books and in retrospect; I wish I had read them closer together.

These two books are set about two and a half years after the events of the first book and Kleypas is telling one large story. It is entirely typical of the genre to tell serialized stories of one family, or in the case of the Wallflowers one group of friends, but generally other than winks and nods and updates on previous characters there isn’t usually much interplay between each book’s lead protagonists. That is not the method at hand with these books: instead Kleypas is using the tight family she has created to tell a tightly woven story. I have to say, I prefer this method. There is story and plot points for everyone in Seduce Me at Sunrise, which means that while the main couple have major problems as a pair, there is still plenty of story to carry the book to a two star rating. When a better pairing happens, then we get a better book as well.

I do not know what exactly about Tempt Me at Twilight that won me over to a five star. The book teeters on the edge of too much, our self-made hero Harry is able to do all the things, and upsets Poppy’s possible marriage proposal in order to trap her into choosing to marry him. Kleypas is often playing with the themes of hard work and getting out of your comfort zones, and that is exactly what this pairing is built around. Perhaps the decisive factor was the inclusion of a not physically pleasing first experience for the virgin, which then puts other important plot points into action.

Kleypas isn’t afraid to make and keep her heroes and heroines imperfect, and that is more often a strength than a weakness for her writing.

This book was read and reviewed as part of the charitable Cannonball Read. We read what we want, review it honestly, and help raise funds to support the American Cancer Society in the name of one of our fallen friends.

No One Else Can Have You (CBR6 #14)

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I picked this one up based on the recommendation of Caitlin’s review of it for the Cannonballread. No One Else Can Have You is centered around 16 year old Kippy Bushman, and told to us by her in first person narration. It is also a YA read and Ms. Hale’s first novel.

Kippy’s best friend has just died. More specifically, she was murdered. It is the first murder that anyone in Friendship, WI (population 688) can remember. The town is in shut down mode until the suspected killer is apprehended. The problem for Kippy is that she doesn’t believe that the person accused of the crime is actually the culprit. In fact, between her best friend Ruth’s diary and some rudimentary detective work Kippy is able to clear the suspect (Ruth’s cheating boyfriend) and start looking into new suspects. Unlike the local police who are too excited to have the crime tied up with a nice bow on the town’s local miscreant. What follows is the story of Kippy finding out who her friends are, and who aren’t and what really happened to the best friend she lost too soon.

There are plenty of things that worked for me in No One Else Can Have You. Kippy’s widower father Dom is a treasure of a character. Complex and interesting with the kind of heart anyone could wish for their own parent. There’s also a very realistic examination of just how tough we can all be on our best friends, particularly when we are teenage girls. It is also fantastic at mining the depths of not completely understanding attraction, and who likes whom more. And that fabulous cover art. Bravo to whomever designed it; I want to wear that sweater.

But, there are many things which didn’t work for me as well. And I really felt that they detracted significantly from my enjoyment of the book. First, Ms. Hale covers a lot of the ground several times. Kippy’s antagonists antagonize in the same way. Over and over again. Kippy uses the same petulant tone consistently. It also takes nearly a hundred pages (of 380) for the story to get going, and in the last 80 it makes a serious change in tone.

Give it a read if you like YA first person protagonists and murder mysteries. If any of these things annoy you, stay away.

This book was read and reviewed as part of the charitable Cannonball Read.