Golden Son (CBR8 #4)

I started my adventure with the Red Rising books last year because both Red Rising and Golden Son had received enthusiastic reviews from Alexis, scootsa1000, and narfna. Red Rising also checked off a box for me in the 2015 Read Harder challenge, as Brown wrote the book before he was 25. With the third and final book in the series being published next month, I figured it was time to get my act together and read Golden Son in order to be ready.

I have A LOT of thoughts about the second half of this book (as Ale and crystalclear can attest to since I’ve been yammering at them over the past few days. But, in order to talk about that stuff, let’s get some boilerplate out of the way. Here’s a synopsis from Goodreads (which leaves plenty vague for those of you who have yet to read either book):

Debut author Pierce Brown’s genre-defying epic Red Rising hit the ground running and wasted no time becoming a sensation. Golden Son continues the stunning saga of Darrow, a rebel forged by tragedy, battling to lead his oppressed people to freedom from the overlords of a brutal elitist future built on lies. Now fully embedded among the Gold ruling class, Darrow continues his work to bring down Society from within. A life-or-death tale of vengeance with an unforgettable hero at its heart.”

Now that we have that out of the way, the front half of Golden Son is setting up what occurred in the two years between the end of Red Rising and the beginning of this book. Darrow and the rest of those we met in the first book, and who survived it, are now part of the larger society of the Golds and are the Peerless Scarred (because of the literal scars on their bodies following the Institute). We find Darrow at low ebb of his social climb and goal of infiltrating the Golds on the orders of Ares, a terrorist of sorts hell bent on bringing down the brutal rule of the Golds and making all classes (or more accurately, colors) equal after hundreds of years of striation.

The plot advances along at a normal pace, and then about halfway through literally all hell breaks loose and Brown just pushes more plot into 250 pages than I remember seeing in QUITE a long time (and I just read Outlander. And it’s good. But it’s also a bit of a slog. More people are brought into Darrow’s inner circle, more friends are sacrificed in any number of battles (Brown is up there with GRRM in the killing of your darlings) that rage as Darrow orchestrates ever increasing battles and wars with the goal of ultimate civil war, and we watch a character struggle with the fact that he must become what he wishes to break down if he is going to succeed at all.

But this is also the book where I was able to pinpoint why I had not gotten into sci-fi in the past. Its not the science, I love the science. I also love the speculation based on history (which Brown excels at). It’s the battle minutia which seems to be an ever present part of many series. I really, honestly and truly, don’t care about what type of gun/ship/weapon/what have you is going to be deployed against your enemy du jour and I certainly don’t need 5 pages describing to me in detail the ship/pod/doohickey that you are going to be using. In his Acknowledgements Brown alludes to his inspiration – Tolkien. Yes, I see it. And once I saw it, I couldn’t unsee it. I have always felt that Tolkien overwrote his books, and Brown is guilty of the same. I can see his working of craft in the writing. It’s plain as day, and I wish it were a little more nuanced, a little less IN MY FACE.

But there is also so much that Brown gets right in these books.  His focus on the machinations of politics and society, the true meanings and cost of love, loyalty, and friendship all build to a crescendo and then if this were a piece of music the final chapter would have a loud crash cymbal and then silence. Because those final pages are where Brown won me back, and this book went from being a very good 3.5 to a solid 4 star book. While there was A LOT of foreshadowing that left very few surprises in a chapter which resets EVERYTHING, Brown placed the reader in a place of not knowing what the next book could possibly bring. There are some things which are laid out, but we do not know how the chips will fall, at least not completely.


This book was read and reviewed as part of the charitable Cannonball Read.


The Age of Miracles (CBR6 #15)


“…as if he knew even then that there existed under everything a universal grief” (227).

I suppose that The Age of Miracles can be viewed as a dystopian novel. In it our narrator, Julia, tells us about the year she turned 12 and the Earth’s turning slowed down, eventually leading to weeks of daylight and weeks of darkness. It can also be said that this is a sad book, about the dying and destruction of our world. These things are true, but somehow Karen Thompson Walker prevents the novel from being as unbearably sad as the description might have you believe.

Julia tells us the story as reminiscence, as a woman in her twenties looking back more than a decade to her own childhood to recount the year that her entire world changed. This is the story of her memories of the year the slowing happened, when minutes and hours were added to the Earth’s rotation. We see the events through the microcosm of a young girl’s memory and in so we are limited in scope, we hear from her only hints of what is happening outside of her town in California. Others might view this as a drawback, but ultimately it’s for the story’s benefit that we are limited to less than a dozen characters. By being of limited scope we are able to focus in on the various effects the slowing has on different types of people, and how that compounds in the life of Julia.

The story, at its core, is a cross-hatch of a coming of age tale for Julia, and also the coming of the end of the world. As she struggles with the changes in friendships, being attracted to boys, the changes of her own body we also see the change in the physical environment, how people cope (or don’t) with the ever lengthening days, and what happens as people cling to survival in a world that seems bent on their destruction. Which, to many of us, is exactly what middle school felt like.

Probably my only complaint about the structure of the story is that so much time is spent in the early part of the school year/slowing. We spend nearly half the book going from September to December, and then the second half seemingly racing through January to September. I would’ve liked to spend more time in the second six months of the first year of the slowing but in order to build the world of the story; I can understand why Ms. Walker chose to focus on the first six. While the science of this dystopian sci-fi might not be plausible, it is still an intriguing story that will stick with you and make you think about how you would survive in a world like Julia’s. I whole-heartedly suggest this book to everyone. The writing is evocative and delicious while Julia’s story is intimate and engaging.

This book was read and reviewed as part of the charitable Cannonball Read.