The Duchess Deal (CBR10 #15)

Image result for the duchess deal

I did some traveling over the Easter holiday weekend and left the Tessa Dare book I was reading the week before at Ale’s house post snow storm. Not a problem – I have a nook full of other books in need of reading so I went ahead and pulled up another Dare, The Duchess Deal.

I had this one lined up and ready to go for two reasons: 1. I really love Tessa Dare books, and 2. this was nearly universally claimed as one of the few highlights of the 2017 publishing year for Romance by our Cannonball Romance Readers. So of course I purchased it immediately. The only drawback? I have a few months to wait until the next in the series, this terrible waiting is why I normally don’t start a series until later in the publishing order.

So what makes this one so good? Dare’s cleverness in wordplay and character development without some of her worst over the top tropes (no strange pets, just a regular old cat named Britches), a truly sardonic wit, and a bit of poking at modern social commentary right down to the use of the “she was warned…” speech which has inspired so many of us to adopt “nevertheless, she persisted” as our own battle cry.

The elevator pitch of this book is right in line with classic Dare: a disfigured Duke (literally half of his body covered in terrible scars from an explosion) needs an heir so he proposes marriage to the first convenient woman to meet his requirements (which are quite low), and the seamstress who was to have sewn his former fiancé’s wedding gown and is demanding payment marches in and takes his money but refuses his proposal. We are off to the races for a marriage of convenience plot (with ridiculous rules!) with a truly forbidding hero and plucky heroine.

I know I haven’t said much, but if Dare has ever done it for you, this book will probably hit all the right notes for you. Only four more months until the next one is published…

This book was read and reviewed as part of the charitable Cannonball Read, where we read what we want, review it how we see fit (with a few guidelines), and raise money in the name of a fallen friend for the American Cancer Society.

Advertisements

Three Nights with a Scoundrel (CBR9 #72)

Image result for three nights with a scoundrel

I usually set myself up with reading landmarks throughout the year, to keep things interesting for myself. It also helps to keep me on pace. The past three years I have ‘read with my ears’ Tessa Dare’s Stud Club series. It was a random choice, to pick this series to enjoy via audiobook, but I’ve stuck with it and it been for the good. The narrator, Rosalyn Landor, handles the text superbly and I’m fairly certain she improves upon Dare’s early, sometimes uneven, work.

Because that is in fact what we are dealing with: Three Nights with a Scoundrel is uneven. We are wrapping up a few storylines and they are not all as strong as they could be and the pacing suffers because of it. We learn the fate of that damned horse Ossiris as well as the circumstances of the death of Leo Chatwick, plus the resolution of who Julian Bellamy really is, or isn’t but it doesn’t come together in a completely satisfying whole.

There are things I truly and unabashedly loved – our heroine Lily who is deaf and the ways she functions in a society that isn’t built to accommodate her. The emotional landscape of her relationship with Julian is also expertly handled. I also enjoyed Morland’s pregnant ward Claudia and her various interactions as they were a hoot and not without consequence. It is all the other fluff and bits around the main story that detract from what Dare does very well. We have another strange pet, this time the parrot Tartuffe, who at least has plot significance, but he shouldn’t have had to, there should and could have been better communication between the leads. I know having a parrot around a romance novel should have been more amusing to me, it simply wasn’t.

We also receive visits from both previous couples in the series so the male leads can wrap up the murder investigation (ugh), but we were seriously shortshrifted where it came to Rhys and Meredith. They are bringing a crucial piece of the puzzle to London, but are merely treated as a conveyance. Urgh. And as to that piece of the puzzle… while I am always happy for more representation of lgbtq relationships in romance novels this one felt a bit shoehorned in and if it had been telegraphed I completely missed it. In a certain way it all came together a little too much deux ex machina for my personal tastes.

This one gets three stars for all it does right, but doesn’t get rounded up to four because to my mind it didn’t live up to the second in the series.

This book was read and reviewed as part of the charitable Cannonball Read where we read what we want, review it how we see fit (with a few guidelines), and raise money in the name of a fallen friend for the American Cancer Society. Registration for our tenth year is open now. 

Twice Tempted by a Rogue (CBR8 #79)

Image result for twice tempted by a rogue

At the tail end of 2015 I listened to my first Romance audio book. It was an interesting experience. Not my favorite, but also not bad. Since I started the Stud Club books that way, with Tessa Dare’s One Dance with a Duke I figured I would continue on that path for the series and picked up Twice Tempted by a Rogue.

Then I promptly forgot to read it as I worked through other books this year. When I finished We Should All Be Feminists and All the Single Ladies I needed a fluffy palate cleanser: audio book romance to the rescue!

First, I liked this one quite a bit more than its predecessor. It wasn’t burdened with world building. This is relatively early Dare, and she gets better at pacing those things out, but for now she only had one new location to introduce and a relatively small cast of characters straight out of central casting to introduce so things went more smoothly. The title is ludicrous, which is a problem with the genre as a whole, but c’mon, nothing here is remotely accurate.He’s not a rogue, she’s doing the tempting, and the temptations are nonstop.

We follow Rhys St. Maur and Meredith Maddox as they square off and fall in love. Easy. He’s the very definition of a tortured soul and she’s a by the bootstraps survivor. They have a shared history, and it is both a boon and a problem for their furthering relationship. I’ll say no more here because this is a very straightforward love story and to recount the play by plays just doesn’t serve it.

The MURDER subplot is back, but it is contained to the second half of the novel and only completely dominates a couple scenes. We are also in the “someone else is off looking for clues” portion where we as the reader can sit back and let that disaster of a story line wait for the third book. The final quarter of the book is a bit cheesy and overly dramatic (Cave Ins! Runaway Carriages!), which was probably exacerbated by there not being as many story lines cluttering up the narrative as there was in One Dance with a Duke. Dare may have felt the need to ramp of the DRAMA, when really, this book had great small scale romance elements, a la Lisa Kleypas.

But I really enjoyed my time with these characters, and while its tough sometimes to listen to narrators have to be in the voice of the opposite sex, the narration here was good, even at 1.25 speed. I’m an outlier, this book is the lowest rated of the series over on Goodreads, but I liked it quite a bit – for exactly what it is.

This book was read and reviewed as part of the charitable Cannonball Read. Registration is open through Friday January 13 for Cannonball Read 9.

One Dance with a Duke (CBR7 #102)

A while back narfna mentioned trying romance novels in audio book format and I thought it sounded like an interesting idea. Then Audible, those b@stards, had a sale (I may have overspent with them lately) and Tessa Dare’s One Dance with a Duke was there. I’m not sorry I spent that $5 – even though its far from my favorite romance I read this year.

The basic premise from Goodreads:

A handsome and reclusive horse breeder, Spencer Dumarque, the fourth Duke of Morland, is a member of the exclusive Stud Club, an organization so select it has only ten members — yet membership is attainable to anyone with luck. And Spencer has plenty of it, along with an obsession with a prize horse, a dark secret, and, now, a reputation as the dashing “Duke of Midnight.” Each evening he selects one lady for a breathtaking midnight waltz. But none of the women catch his interest, and nobody ever bests the duke — until Lady Amelia d’Orsay tries her luck.

In a moment of desperation, the unconventional beauty claims the duke’s dance and unwittingly steals his heart. When Amelia demands that Spencer forgive her scapegrace brother’s debts, she never imagines that her game of wits and words will lead to breathless passion and a steamy proposal. Still, Spencer is a man of mystery, perhaps connected to the shocking murder of the Stud Club’s founder. Will Amelia lose her heart in this reckless wager or win everlasting love?

So, the standard romance stuff. What this novel does well is give us two interesting protagonists in a marriage of convenience plot. I particularly enjoyed the frankness of Amelia in her time and place. It’s not to say that I don’t truly and really enjoy a book where the older, wallflower leading lady is discovered to be something more, (see Romancing Mr. Bridgerton for example) or pushing the social mores (any Courtney Milan book) but it was refreshing on this outing to see Amelia embrace her historically appropriate goals: to marry, a love match all the better, but mostly because she wants the job of wife. And in the 1810s, it was absolutely a job; in her marriage to the Duke Amelia will now manage a series of households and all social responsibilities. Amelia has been ready for just such a reality, and embraces it, even as she is unsure whether or not she can trust and truly embrace her new husband.

We also see in Spencer that while who Amelia is works for him (he likes his ladies curvy and with a brain, he sees her skills and talents as valuable and her embroidery as art) he does not fall prey to the idea that she is somehow a hidden gem that society has missed. She is simply the right one for him. While Spencer can seem dominant and indifferent and often finds himself saying exactly the wrong thing, Dare gives good, believable explanations as to the development of his character and his Duke of Midnight persona.  Dare also gets points for the gradual way in which Spencer and Amelia get to know each other and fall in love.

So what didn’t work for me, and has thus landed this book a 3 star rating? Here’s a handy list:

  1. Anytime anyone discusses horses, especially (but not limited to) that damn Ossiris and the formation of the Stud Club.
  2. Amelia’s savior complex as related to her younger brother Jack and his unrepentant ways.
  3. Also, Spencer’s inability to use his words when frustrated with Amelia’s savior complex.
  4. The MURDER subplot tenuously tying this novel to the next two in the series.
  5. The investigating of the MURDER subplot.
  6. The structural pacing of the MURDER subplot and Amelia’s savior complex completely disrupting the natural flow of the romance plot.

I will however be reading the rest of the series eventually, because what Dare gets right, she gets very right.

This book was read and reviewed as part of the charitable Cannonball Read.