Travel Research Books (CBR16 #4-6)

At work we’re in research mode, preparing for our new exhibition about travel in the 19th century. Based on my interests and previous research avenues I got handed the Grand Tour and a piece of the cruise industry as my responsibilities. For the past few weeks, I’ve been scouring all my usual resource repositories, googling some very interesting UK museum websites, and our curator made sure I had some books to work my way through. They’ve been… a mixed bag.  

Cover of The Atlantic Crossing

The Seafarers: The Atlantic Crossing by Melvin Maddocks was purchased primarily for its images and having worked my way through it I can verify that it is the area of its greatest worth. The publication year on this one, 1981, kind of gives away my issues with it – it is the kind of work that gives history books a bad name, but also shows just how far historical inquiry has come in the ways in which we discuss native populations and the enslaved. A book published now would have a very different tale to tell about Pocahontas and would include more than a few sentences regarding the transportation of enslaved populations across the Atlantic. I was able to get information I needed on the types of ships making the Atlantic crossing at different times, but I backed away from relying on the narrative for much else, preferring to get my information elsewhere.  

Cover of The British Abroad: The grand Tour in the Eighteenth Century

The British Abroad: The Grand Tour in the Eighteenth Century by Jeremy Black was an improvement as far as content and history writing. But reading this one was still painful but for entirely different reasons. Two stars for good information, Black did the work to dig out primary source information held in a variety of collections and repositories to build out the story making this one of the first major works on the topic. But it gets no further stars from me for the unpleasantness of reading experience. A lot of it has to do with printer choices – paper, font size, indentations demarking quotes – but it also had a lot to do with authorial tone which mentally brought me back to my worst college lectures where my oppositional defiance wanted me to take a nap and wait the blowhard out (the professor, not the author). I worked my way through by treating it more as a reference than a narrative, but that was a workaround. But a workaround I would do again because the book does have some of the best information available and because of the author’s decision to have a defined Conclusion section at the end of each chapter I was able to easily hunt up answers to the various questions I had.  

Cover of Traveling Beyond Her Sphere which features a souvenir image of a woman sitting on her trunk dressed for travel and the phrase " Bon Voyage"

Traveling Beyond Her Sphere: American Women on the Grand Tour 1814-1914 by Bess Beatty was the book that held my highest hopes and let me down the least (I know, faint praise). The people associated with our historic sites who travelled to Europe were American women in that century of time – perfect, just the book I needed. Like in The British Abroad, Beatty spent the time in repositories and unearthed a treasure trove of primary sources to fill out the narrative of the century between major European wars that led to the golden age of American Grand Tours and the reasons and ramifications of the women embarking on these Tours. While the narrative can feel a bit as though the author is just bouncing from account to account which can make it a sometimes difficult read to stick through there is a lot of really important information here. There were a few issues a stronger editorial read could have helped avoid, but all in all a book I’m glad we have for our reference shelves.  

How the Dukes Stole Christmas (CBR16 #3)

I had this collection picked out as my Christmas romance read a full year in advance. Then, I promptly didn’t read it, because that is how 2023 went. (Eventually my 2024 reviews will start without a lament about 2023, but this one isn’t it.) I love Tessa Dare books, particularly when I’m looking for something sweet and lighthearted. When checking her catalogue for a new to me book this past year I spotted this anthology from 2018 and put it on my list, zero questions asked.  

Meet Me in Mayfair by Tessa Dare 

Dare plays with some of the plot points of Meet Me in St. Louis, but this is its own story. Louisa Ward needs a Christmas miracle. She and her family have until new years to find a way to pay off a debt to the new Duke of Thorndale or they will have to leave the only home they’ve ever known. Her plan is to catch a suitor at her friend’s ball – only to be dragooned into taking her dance card so she can elope with the man she loves. Unfortunately, the card is chock full of unmarriageable men since Fiona had studiously been trying to not attract any other men’s attentions. The waltz is none other than Fiona’s distant cousin James, the Duke of Thorndale. Through a series of events and mostly truths Louisa and James spend the night getting to know each other around Mayfair, but can their newly blooming attraction and affection mean anything with all that hangs in the balance?  

I appreciated that Louisa is the one to change her mind, to grasp that while his decisions may be a bit shortsighted, James is making choices for the benefit of the people he is responsible for, forgetting that he is perhaps also responsible for the people who live and work in the properties he is preparing to sell. I also love that James isn’t afraid to re-evaluate with new information, while also not pretending to be someone he isn’t, or pretending that he doesn’t have the fears and worries he does. A really sweet story with steam primarily at the end.  

The Duke of Christmas Present by Sarah MacLean 

What if Belle had returned to Ebenezer Scrooge and given him the chance to reflect on his past and make a different choice before marrying another instead of the ghosts of Christmas Past, Present, and Future finding him later in life? That’s what Sarah MacLean is playing with in The Duke of Christmas Present. Jacqueline and Eben had been in love, but the pressures of saving his estates after his drunken father’s death made Eben pull away, always wanting to prove he was good enough. Jack pulls away eventually leaving him to travel with her aunt. The Duke of Christmas Present moves between the, ahem, present and the past letting the reader in on what happened 12 years ago and seeing if Eben and Jack can figure it out this time. It was a little more angsty than you might traditionally find in a holiday read (in that way it reminded me of my other second chance holiday read For Never & Always) but it worked for me, especially the grovel.   

Heiress Alone by Sophie Jordan 

If The Duke of Christmas Present was a look at The Christmas Carol if Scrooge had gotten his life sorted before becoming a big old, well, Scrooge than Heiress Alone is Home Alone but if the family member forgotten was an English heiress in the Scottish Highlands with brigands on the loose breaking into houses and estates. A snowstorm is ensured to block the pass meaning that Annis Bannister won’t be able to be retrieved by her apparently easily distractable family and she is trapped for the next three months in the Highlands. Her first night after being left the neighboring Duke (whom her family embarrassed themselves in front of rather spectacularly) arrives to rescue the servants from the marauding thieves thinking that they’re alone. Alas, he also has an heiress to look after. About half of the story is their journey back to his estate, and then the second half focuses on their time together as they deal with their emotions. I liked this one a lot more than I was expecting to, especially how the physical attraction is balanced with their emotional inner lives.  

Christmas in Central Park by Joanna Shupe 

A retelling of Christmas in Connecticut should absolutely have been my favorite of the bunch since the 1945 movie is one of my all-time favorites. From Goodreads: “Mrs. Rose Walker pens a popular advice/recipe column. No one knows Rose can’t even boil water. When her boss, Duke Havemeyer, insists she host a Christmas party, Rose must find a husband, an empty mansion, and a cook. But Rose fears her plan is failing—especially when Duke’s attentions make her want to step under the mistletoe with him.” See? Should’ve been like catnip for me. But… i struggled to sink into this one. I’m sure plenty of others loved it.  

The Witch Doesn’t Burn in This One (CBR16 #2)

One of the Read Harder tasks from 2023 was to read a book of poetry by a BIPOC or queer author and another was to read a book by an author who was geographically close to you. Amanda Lovelace, author of The Princess Saves Herself in This One is both queer and lives in New Jersey so I had put her second book The Witch Doesn’t Burn in This One on my to read for the year. And then 2023 just did not cooperate even a little bit. So here we are in the first two weeks of 2024 and I’ve finally checked this one off the list. It only took me an hour of reading time. Such was 2023.  

I read The Princess Saves Herself in 2019 and it was one of the works of poetry that really worked for me so I had high hopes heading into The Witch Doesn’t Burn and I’m pleased to report that those expectations were met. The Witch Doesn’t Burn has the following content warning at its beginning, and it does a fantastic job of level-setting. “this book contains sensitive material relating to: child abuse, intimate partner abuse, sexual assault, eating disorders, trauma, death, murder, violence, fire, menstruation, transphobia & more.  remember to practice self-care before, during, & after reading.” 

The Witch Doesn’t Burn in This One is a story in three acts, each poem building naturally on the ones before, filling out an idea, a notion, but not locked into a specific narrative. The writing is often sparse, but in a beautiful way that helps you sink into your own reactions. There were so many lines and phrases that I loved, particularly as Lovelace defiantly unleashed all the feelings women are told we must repress – resentment, anger, indignatio, exasperation, and the list goes on.  While some of the poems feel like liquid rage unbottled, others land like a healing balm or gentle encouragement. But this is a book about letting the emotions out.  

The third in the series is The Mermaid’s Voice Returns in This One and I’m cautiously optimistic about getting to it in 2024.  

For Never & Always (CBR16 #1)

I’m feeling a little rusty in my reviewing skills and kicking myself for not getting this specific review written when I finished the book because I had thoughts and now, I have fewer. I should probably start by saying that I really, truly enjoyed For Never & Always by Helena Greer in much the same way I did reading her previous book Season of Love. For Never & Always is also a queer romance which unpacks big emotions, specifically grief and trauma responses and like its predecessor it’s also a very Jewish story told around several holidays. This book is populated with rich, multi-faceted characters who are going through it in major ways. 

For Never & Always is a second chance/secret marriage/marriage in trouble romance.  Which is a lot right off the bat. The book’s main couple is Hannah and Levi, and they must deal with the fallout of knowing that the love they share was not enough to make their relationship work, but also knowing what four years without the other one feels like. With this knowledge they must decide if they can rebuild their relationship in a healthy way that acknowledges each of their truths, and do they want to? Levi does, from the outset. He is back at Carrigan’s, a place he ran from for very understandable reasons, to do just that. But Hannah isn’t sure. Carrigan’s is both her most treasured safe place, but also where she is literally trapped thanks to her anxiety (she’s working on it).  Levi calls a Shenanigan (basically a bet that must be honored) and negotiates with Hannah that he has five dates and working at Carrigan’s for three months for a major wedding booking, to convince her to stay married. If at the end of those dates Hannah isn’t convinced, they’ll get divorced. 

Something I appreciate so much in Helena Greer’s writing is that she has her characters reckon with their choices. We are all where we are in the world on any given day based on the accumulation of choices, decisions, and happenstances that led to right now. For the characters inhabiting the greater Carrigan’s All Year environs there’s a lot of emotional baggage in both the place and its previous owner Cass, and everyone had a different experience with her, and importantly Greer acknowledges that even if we loved someone, and they loved us, they can have done damage that must be reckoned with. Each of the book’s lead and main supporting characters took Cass Carrigan’s worldview and pronouncements as gospel – to some extent – in their lives and For Never & Always really unpacks what processing that kind of outsized impact is like. This one is also chockful of representation that really matters to me that I don’t exactly want to get in to because I think discovering some of those details in real time with the book is important.

Do read this, and not just because of that beautiful Leni Kauffman cover – but it does help!