Harry Potter and the Chamber of Secrets (CBR9 #21)

Friends, I finally remembered what initially began the itch to reread Harry Potter. Cannonball Read’s very own narfna, along with some friends, did a Medicinal Re-Read and I remember following along (thanks, Goodreads)! It’s been since 2013! Okay, as you were, let’s get to the actual reviewing.

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I have always thought book four, Goblet of Fire was my least favorite Potter, and that may still be true for the book versions (we’ll have to see when I get there in a few weeks), but I was resoundingly underwhelmed this go-round with The Chamber of Secrets and the movie left much to be desired.

Chamber of Secrets follows the same basic trajectory of its predecessor. First, Harry has trouble with the Dursleys, then he gets to school with some trouble (much bigger trouble this time), something strange is happening at Hogwarts (blood on the walls and petrified people and ghosts), Harry along with Ron and Hermione are in a unique position to solve the strange happening, Quidditch, House Cup.

Tada!

This is not the book’s weakness, really. It is how these pieces come together and how Rowling uses Ginny Weasley as a blank slate that bothered me. I forgot how little of her own character Ginny gets in these first two books and how very little in this book considering she has such a major role in the work of the big bad. I am looking forward to badass Ginny who gets here in later books.

The Chamber of Secrets, for all of my vague disgruntledness, is a story about abilities versus choices, which Dumbledore makes clear in the end. This is an important lesson for all of us. I think the movie adaptation misses the point (and I am glad that we are done with Christopher Columbus adaptations after this) by focusing on the violence of the basilisk. Book Harry is more concerned with the possibility that he should have been Slytherin, and that he could go bad. We are with him through these mental gymnastics and there are few among us who haven’t looked back and thought did I make the wrong choice? Did I use my influence (asking the sorting hat to make us Gryffindor) in the wrong way? Is it all doomed to come apart? Harry is nervous, and scared, when Ron points out that it’s not good even in the wizarding world to hear voices (which is a line that the movies gave to Hermione… just grrr. Ron deserves his moments of ability.)

However, layered onto that is a moral lesson in how we interact with others. I prefer the book’s version of the Weasley/ Malfoy feud, since not only is more fleshed out but it informs the larger story in a more concrete way. While the diary plot plays out in the movie as it does in the book, we get much less of the tension between these two wizarding families, and that is a shame. Rowling is setting up her larger theme with them; on one side, we have the Weasleys who are an open, loving, and inquisitive bunch. Highly loyal and believe in fairness. On the other side are the Malfoys, who are not those things.   As this is a children’s book, Rowling takes the themes that she would explore in any book (and certainly does later in her other adult novels) and breaks them into pieces her younger readers can understand.

In order to do that, she introduces the ways these characters treat people who are not exactly like them. Draco Malfoy’s use of the Mudblood epithet and Ron Weasley’s reaction to it, so much stronger in the book, are perhaps the linchpin between these two worldviews. It also informs the danger of the Chamber of Secrets and the Heir of Slytherin, and shows its readers that every little bit of prejudice can support a larger evil.  This is not to say that Rowling makes the Weasleys perfect. Fred and George join in on the teasing of Harry about being the Heir of Slytherin even though it hurts him, and could support others views of him as a possible suspect. Don’t get me wrong, I love the twins, and was very sad to see so much of their arc hit the cutting room floor in the adaptation, but it is another important lesson to the reader: even those we trust and love the most can hurt and betray us and if that is you, it is important to make it right and apologize.

Once again knowledge, and asking for help when you need it, are crucial to solving the great dilemma. I was struck by the way Gilderoy Lockhart is framed as a know nothing, and how he is the weakest of the wizards present because he does not invest in actually knowing what to do. Through these methods Rowling creates the third of our baddies, in addition to Tom Riddle and Lucius Malfoy. When I read this book the first time I was finishing up a grueling program, and headed off to college. I was affected then as I am now that knowledge can be your best armor against the forces of darkness.

This book is full of future world building, from Hagrid’s trip to Azkaban (sob!) and the introduction of Cornelius Fudge. The work Rowling put in shows. I’ll be embarking on The Prisoner of Azkaban shortly.

“But why’s she got to go to the library?”
“Because that’s what Hermione does,” said Ron, shrugging. “When in doubt, go to the library.”

This book was read and reviewed as part of the charitable Cannonball Read. 

The Graveyard Book (CBR9 #19)

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I’m slowly working my way through Neil Gaiman’s works. I’ve tackled Neverwhere, American Gods, The Ocean at the End of the Lane (favorite), and his short story collections The Truth is a Cave in the Black Mountains, and M is for Magic. Each has been its own experience, and all generally favorable.

As I go on, I find that the full cast audios are my favorite way to experience Gaiman’s world. I listened to American Gods, and later went back and read Neverwhere after listening to the BBC Radio Drama version (which I preferred). I’ve also listened as opposed to reading the short story collections. Therefore, when I had the audible credit just lying around collecting dust I splurged on another full cast version – The Graveyard Book.

I was familiar with the concept of the book, a chapter of this book appeared in M is for Magic, and crystalclear had already read it (she has read a lot of Gaiman), and the best part about getting your friends to Cannonball is that you get built in suggestions. With no other preparation I jumped into the story of Nobody Owens, the boy who is adopted by ghosts after his family is murdered and raised in a graveyard.

Initially, it felt as though Gaiman was just playing with a storytelling idea: what would happen to a child raised in the quiet and solemnity of a graveyard? Why would a child end up there (the need for the Big Bad)? As the chapters progress we check in with Bod every few years and Gaiman layers in and introduces his signature playing on words (jack of all trades), and builds out Bod’s world, his family, how life progresses, and growing from young lad to young man set out into the world. This journey carried me along and never overstayed its welcome, but left me a tad bittersweet when it all came to an end.

I’d like to see more of Silas, Bod’s guardian, and learn his tale. Or the lady on the grey. Maybe someday Gaiman will come back to those threads and unspool them a bit more. For now, I am satisfied. And supremely happy that the Hempstead witch in this book is related to the Hempstead of Ocean at the End of the Lane.

This book was read and reviewed as part of the charitable Cannonball Read. 

Fun with Kirk and Spock (CBR8 #68)

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This book would probably make a nice gift for the Trekkie in your life, so if you are the kind of person who starts their holiday shopping already and are in need of fun gift to add to the pile, then go on ahead and get some of these for yourself.  I am not a huge Star Trek fan – a feel like that is a needed reminder of why I’m ranking this three stars – but I did genuinely enjoy my reading experience but it wasn’t at a proselytizing level. For that, please see crystalclear’s awesome review.  I had a couple of out-loud belly-laugh moments, but it was mostly just smiles of thoughts of oh, that’s clever, and general appreciation of the familiarity.

This is a book with a joke in its heart and a loving knowledge of all the camp of the original Star Trek. A parody of the Fun with Dick and Jane children’s books of the 1950s, Robb Pearlman pairs it with a pop culture classic of the 1960s and away we go on an adventure where we learn important things, such as not getting attached to the red shirts since they won’t be beamed back up (but we should remember them fondly) and that Khan is not a morning person (it explains so much!).

The humor here is simultaneously on the nose and subtle, but I feel that the art deserves a shout-out as Pearlman really captures the actors who originated these characters and it adds a lovely warm layer of nostalgia to the experience.

Recommended for the children’s book/Star Trek lover in your life.

Read and reviewed as part of the charitable Cannonball Read.